In one of the documentaries at the festival, an elderly Laplandian says something like this: "... The song is like a message ... I don't know why, but I have to pass it on to future generations."
Maybe for some time, being in euphoria from the successes of science and technology, we have lost this important feeling?And only comparatively recently they began to realize that wise folklore mechanisms somehow very subtly, imperceptibly connected us with nature, with the past and future, helped to live.Here, for example, what a modern composer writes about the disappearance of a folk song from our everyday life: “Doesn't it reflect on the mental balance of an adult if lullabies were not sung to him in infancy?After all, thus, in childhood, he was deprived of that great share, affection and tenderness, which is contained in them. "
Experts say that the destruction of the folklore consciousness of the people can be compared with the death of nature.We are only now beginning to open this fascinatingly interesting and large-volume book - folklore consciousness and psychology, which provided the peasant with the ability, which is not characteristic of us today, the ability to live without destroying nature.Some scientists even believe that, having completely lost this quality, we will lose both the ecological battle and the battle to finally feed ourselves, because the empty heart of the new peasant will not love the land, and without love the land will not give birth.Yes, actually, do we not already observe this type of farmer, indifferently looking at the meager results of his modest labors, at the erosion of the earth, at its pollution?So, perhaps, that very folklore, in which many see only the aesthetic side of people's life or a page of the past, part of an obsolete culture, is vitally necessary for us today, and tomorrow, of course, too.
How to preserve, develop, enrich folklore?In my opinion, this is fully possible on one condition: if he.will return to where he came from - to a family, to a rural house or to a city dweller's house.Is it possible?
The folklore ensemble "Rusava" from the Ukrainian village of Stena took part in the Moscow festival.A collective that invariably arouses the admiration of both spectators and specialists with its organic and graceful manner of presenting folklore on stage.The organizer and permanent leader of Rusava is Zoya Zosimovna Chorna, a former village teacher.She brought her two daughters to the ensemble: Olya, who, following the example of her mother, chose the teaching profession, and Katya, who now works as a pioneer leader and, obviously, will also remain in line with the family tradition.
What has the ensemble accomplished in its two decades of existence?In addition to hundreds of concerts, which gave numerous spectators the joy of being in touch with genuine folk music-making, amateur artists also worked as researchers.They collected dozens of old songs, restored and show peasant rituals on the stage, found and preserved various details of traditional Ukrainian costume.All this is done by both the elderly and young members of Rusava, there are even schoolgirls.This small beacon is burning, showing the right path to the revival and preservation of the original culture of the people.And it is no coincidence that he was kindled by a rural teacher, who, perhaps, sees a little better than others what the spiritual impoverishment of the village leads to.
But, unfortunately, there are not so many such popular educators today.And it is beyond their power to revive folklore alone.Millions of people withdrew from their native lands, thousands of abandoned villages and villages, the enlargement of already immensely expanded cities is one of the most complex phenomena of our time, giving rise to many social, economic and political problems.
And all these issues are directly related to the issues of existence and the revival of folklore.Perhaps some found answers to them for themselves, having attended the concerts of the festival, others he made them think ...
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